🥇 Week 3: Finalize, Test & Adjust

🎶 Overview:
This 3-week intensive is designed to help singers build a personalized vocal warm-up that prepares the voice effectively without overworking it. Using a scaffolded approach, you'll learn to distinguish between warming up and working out, explore static vs. flexible warm-up structures, and build a routine tailored to your voice and needs.
✨ TIP: A warm-up is like stretching before a full-body workout—it prepares your voice for the task ahead but is NOT the workout itself. Warm-ups should never fatigue your voice. They help you "say hello" to your instrument and assess how it's functioning that day.
🥇 Week 3: Finalize, Test & Adjust
Goal: Refine your routine, test it in action, and prepare for long-term use.
Monday: The Siren Sweep
Add a full-range siren as a gentle check-in across registers.
✨ TIP: Sirens help detect where registration shifts are smooth or sticky—a diagnostic and integrative tool.
Prompt: How does your voice feel after including this?
Tuesday: Test Drive
Run your full warm-up.
Time it: Is it efficient?
✨ TIP: Your warm-up should leave you energized, not tired. If you feel strain, it's too much.
Prompt: What would you tweak to make it more supportive?
Wednesday: Adjustments
Assess: What felt redundant? What still feels like a gap?
Prompt: Share your final edits. What are your "non-negotiables" in your routine?
Thursday: Final Trial + Share
Run through your warm-up one last time with all changes.
Prompt: Share your final version and post a voice note if you’d like. Encourage others to try it too!
Friday: Reflect & Celebrate
Reflect: What did you learn about your voice?
Consider: What will you carry forward?
Once you have your warm up all set and you are comfortable with it - start to consider your cool down (but that is a subject for another challenge 😄)
Weekend: REST
27 replies
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I feel like after running my warm up now several times that I have created something that really works well for my voice. Having "modular" aspects in the beginning to address posture and breath seems to work well for me. This does lead to a variable time commitment in the warm up, but I am good with that. The part that I think needs to be fixed for me is the true phonation aspects such as sirens and lip trills. And, if time is really short, I do think that this could even suffice if need be. For now, this flexibility seems to meet my needs. I do think as I get more experience that what I do in my warm up might evolve. For now, I am happy that I took the last few weeks to really think about and investigate what works and does not work for me.