What topic do you want to see on tonebase voice?

At tonebase voice we strive to deliver first rate content that singers can really learn from. Whether it's a course in the library, a two week intensive or a community challenge or a livestream with an amazing artist or teacher, we strive to give our singers the tools to learn and grow in their art. While we have so much amazing content that we will be sharing in the weeks and months ahead, our work creating and producing resources for you is a never ending project. At the heart of every great project is a spirit of collaboration. With that in mind, we want to hear from you! What do you want to see on the tonebase voice platform? Is there a subject you want to dive deeper into? A singer whose insights you really want to understand? A composer who you can't get enough of? A technique that you want to master? Now's your chance to share those great ideas!
9 replies
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Technique, particularly laryngeal registration
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I need a special course about Schubert because I can't really understand the cultural environment behind lieder, and I struggle with the context of this composer also in piano music, because I can't figure out how he is both a Classical and a Romantic composer, being contemporary both of Beethoven (whose character is very well defined and unique also not being a Romantic) and Chopin (who is a pure Romantic). I cannot find the unique voice and character of Schubert as much as I do with other composers such as Mozart or Beethoven.
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Pitch accuracy on high notes and general
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I would appreciate a course/workshop on "how to deal with the different acoustics we are exposed to all the time". I find it difficult sometimes - especially in audition settings with little or no time to get accustomed to the room - to stick to "my" singing without pushing. I am sure there are strategies to develop a good approach to new rooms.
What I have been looking for for a long time - for my own understanding as well as my teaching - is an animation of the larynx during phonation, especially depicting the muscles during the register changes, showing the tilting and so on. A visual explanation would help me to get an even clearer picture of what is going on.
I personally would love to have a repertoire course on "Das Lied von der Erde" by Mahler.
Thank you very much for all the great content in here!
Stephan