Refining your articulation and vowel formation with Heidi Vass

INTRODUCTION

Welcome to the Two Week Intensive on refining your articulation and vowel formation. In the next two weeks, you will be asked to read, watch, practice and post! One of the best features of the two week intensive is your ability to get actionable feedback! As you are working your way through the course, take advantage of the interactive features of the TWI, by posting videos of yourself and asking questions in the forum. I am happy to respond with written and sometimes even filmed advice that is specific to YOU! There will also be an opportunity to hop on a ZOOM session with me on July 1st at 11am PST. I will be there to answer any questions you may have about the assignments and your vocal music journey, in general.

 

DAY 1: Introduction

Goal: Define and understand the terms, anatomy and process.  

Watch: TWI: Introduction

 

Read: TWI: Refining Your Articulation and Vowel Formation Concepts

 

Day 2: Clarifying Vowel Sounds

Watch: TWI: Clarifying Vowel Sounds

 

 

IPA Italian Vowel Chart:

 

Curwen Hand Signs for Solfege (as mentioned in the video)

Practice:

Work on your formation for the [a] vowel.

Vocalize 1: 5-note pentatonic scale (1-2-3-4-5-4-3-2-1) on the [a] vowel.

Record yourself singing the vocalize and check your work.

Post your recording to this forum for feedback!

BONUS: practice curwen hand signs for solfege

 

Day 3: The Closed Tongue Position [i] vowel

Watch: TWI: a-i

Practice:

Work on your formation for the [i] vowel.

Vocalize 1: 5-note pentatonic scale (1-2-3-4-5-4-3-2-1) on the [i] vowel.

Vocalize 2:  Double 5-note pentatonic scale (1-2-3-4-5-4-3-2-1) on the [i] vowel first, then on the [a] vowel

        note: you can take a breath between vowels or challenge yourself to do the entire thing in one breath.

                  To make the exercise more challenging slow it down.

Vocalize 3: 1-2-3-2-1 with an [a-i] vowel switch on each pitch

        note: concentrate on keeping the vowels pure and distinct from one another.

Record yourself singing the vocalizes and check your work.

Post your recording to this forum for personalized feedback!

 

Day 4: PRACTICE

Take time today to review the shifts between the [a] and the [i] vowel.

Sing the exercises from day 3 and add the following:

Vocalize 4: Sing each vowel on a sustained tone in your middle voice (choose a pitch that is comfortable)

Alternate between the [a] and [i] vowels on your sustained notes.

Record yourself

Listen back and see if you maintained the same vowel.

TIP! as you are singing your sustained tone, rethink the vowel over and over again - mentally restating the vowel as you "hold" "grow", "engage," "develop..." the note.

 

Day 5: The Intermediary Vowel [e]

Watch: TWI: The Intermediary Vowel

 

Practice:

Review vocalizes 1-4

Move the tongue through the [i-e-a], [a-e-i] positions.

Vocalize 5: Sing the descending pentatonic scale (5-4-3-2-1) three times singing through the [i], then [e], then[a] positions. 

note: if you are an advanced singer, you can multi-task with this exercise and add a challenge for the breath by including appoggio work (keep the rib cage out the whole time and only release through the abs for the breaths in between the vowels). We will cover this in the live ZOOM session.

Day 6: Practice

Take time today to review the shifts between the [a], [e] and [i] vowels.

Sing Vocalizes 1-5

Record yourself singing the vocalizes and check your work.

Post your recording to this forum for personalized feedback!

 

Day 7: The Lip Vowels

Watch: TWI: Lip Vowels

 

Practice:

Move the Lips through the [u- o- Ɔ], [Ɔ -o- u] positions.

Vocalize 6: Sing the descending pentatonic scale (5-4-3-2-1) three times singing through the [u], then [o], then [Ɔ] positions. 

Vocalize 7: Octave leaps (1-8-1) [u-Ɔ-u]

Experiment with the closed-open-closed lip and tongue vowel movements

 

Day 8: Practice

Take time today to review the shifts between the tongue [i,e,a] and lip [u- o- Ɔ] vowels.

Sing Vocalizes 1-7

Record yourself singing the vocalizes and check your work.

Post your recording to this forum for personalized feedback!

 

Day 9: Mixing Vowels

Watch: TWI: Mixing Vowels

Practice:

Review vocalizes 1-7

Vocalize 8: sing the following pattern 1-3, 2-4, 3-5, 4-2, 1 on [i-  e-  a- o-  u]

TIP! As with the Basic Vowel Switches, this exercise works best in the middle-range.

 

Day 10: Practice

Find a piece in Italian that you want to work on for the application

Take time today to review the shifts between the tongue [i,e,a] and lip [u- o- Ɔ] vowels.

Sing Vocalizes 1-8

Record yourself singing the vocalizes and check your work.

Post your recording to this forum for personalized feedback!

 

Day 11: ZOOM CHECK IN!!

Hop into the zoom call at 11amPST to go through a live demonstration and group diction workout. Be prepared with any questions you may have!

Topic: TWI: Refining your articulation and vowel formation with Heidi Vass Check-In Time: Jul 1, 2024 11:00 AM Pacific Time (US and Canada)

Join Zoom Meeting https://us06web.zoom.us/j/89709667959

Meeting ID: 897 0966 7959


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Meeting ID: 897 0966 7959

Find your local number: https://us06web.zoom.us/u/kzbICWNf5

 

Day 12: Application

Watch: TWI: Application

 

P

Practice:

1. Choose a piece of music in Italian.

2. Write in the IPA for the vowels

3. sing vowel-to-vowel on each phrase (omitting the consonants)

 

Day 13: Record and Post

Record a sample of your technical work on your application piece (like "Amarilli" in the application video)

Post it to the forum

Compliment your colleagues on the wonderful work they are doing in this course!!

 

Day 14: Tips for Training

Watch: TWI: Tips for Training

 

In our last day of this challenge, learn how vowels and vowel-consonant combinations can help you define your resonance space and train your intonation.

 

Congratulations on completing this Two Week Intensive. I hope you have enjoyed the process and learned about the formation and importance of pure vowels. As always, if you have any questions or are looking for direct feedback on your work, do not hesitate to post questions or videos and in the practice diary or general questions of the forum. I am always here to help and encourage you on your musical journey. Happy Singing!

- Heidi 

113 replies

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    • margaret_gottlieb
    • 9 mths ago
    • Reported - view

    TWI Day 12 

    Hi friends!

    Here is a revision of my [o] vowel, tried to keep top lip a bit more free, and let sound pour out of the bottom. Also previous to this I had been using my hands as an aide in a higher placement above my ears like we had talked about in the live meeting yesterday. I def think this helped my vowel a bit 

      • JohnEric_Robinson
      • 9 mths ago
      • Reported - view

       What great ombouchour! That's a long time to keep it going, well done. 

      I did find the vowel tending towards [u] at times.

      You did a great job singing through the notes slowly.

      Yes, I did get a sense of air flowing over the lower lip.

      • Coffee-drinking soprano, trainer of voices and tonebase voice content lead
      • Heidi_Vass
      • 9 mths ago
      • Reported - view

      This is great! I also love what the lip shape is doing to your cheeks - activating those smile muscles :) Very well defined and clean tone.

    • JohnEric_Robinson
    • 9 mths ago
    • Reported - view

    Day 12! Here is my IPA of O del mio amato ben:

    O del mio amato ben

    I'd love feedback on this. Not sure if [ɔ] should be here instead of [o], and hard for me to discern where to sing [e] vs [ɜ]

    Here's the first couple phrases:

    https://drive.google.com/file/d/1w3NVFaPJjxnxIc2aYTsn5oUGXPXw_Nxs/view?usp=sharing

    https://drive.google.com/file/d/1Pb8tk_O4J9YiMgpGAofifTuS7fVbY-1A/view?usp=sharing

      • Coffee-drinking soprano, trainer of voices and tonebase voice content lead
      • Heidi_Vass
      • 9 mths ago
      • Reported - view

      Some of the open vs. closed are  off. Most of the time, the vowels will be closed. If you are not sure err on the side of closed ;) I would refer you to Derrick Goff's course for the specific rules on when you open or close.
      Other than that, the videos are quite good - especially the second one! On the first one, you pulled the tongue back in that first phrase (watch out for that). Other than that small  issue, everything looks great!

      • JohnEric_Robinson
      • 9 mths ago
      • Reported - view

       Thank you for the feedback! Yes, I had a feeling my IPA for many vowels weren't right. I'll watch Derrick Goff again. I've been trying to figure things out with IPA books and websites, but I'm finding it hard to correlate the way I think something sounds in Italian with the consensus of opinion, especially between [o] and [É”] and between [e] and [Éœ]. If you caught something else, Heidi, please let me know. I'm out of my depth here. Thank you!

      And thanks for the feedback on tongue placement. Yes, upon rewatching, I see what you mean. It helps to know what to look for! 

      • JohnEric_Robinson
      • 9 mths ago
      • Reported - view

       I think I'm beginning to understand something. As I learned Italian in Ticino (southern Switzerland), which is close to Milan, I have the feeling the vowels tended to be more closed, as Derrick discusses in his Italian diction lesson. Hence I tend to think of Italian as having pure closed vowels rather than both pure open and pure closed vowels. Time to get that straight. Thank you!

      • Coffee-drinking soprano, trainer of voices and tonebase voice content lead
      • Heidi_Vass
      • 9 mths ago
      • Reported - view

      What a wonderful discovery! It's amazing the influence of specific regional dialects can have on our perception of language (it's why singing in English can be especially challenging for native speakers!). Glad you are taking advantage of Derrick's course. It's such an amazing resource to get to the heart of Italian for singing, specifically :) That said, your experience with languages is SUCH a huge advantage for you!

    • JohnEric_Robinson
    • 9 mths ago
    • Reported - view

    Also, I've been listening to Seraphour's first album. Beautiful! I'm fascinated by the combination of contemporary and Renaissance compositions, and I find myself wondering if Aidan Vass is a relative....

      • Coffee-drinking soprano, trainer of voices and tonebase voice content lead
      • Heidi_Vass
      • 9 mths ago
      • Reported - view

      how sweet of you.. yes, Aidan is my son :)

    • margaret_gottlieb
    • 9 mths ago
    • Reported - view

    Hi Guys! Day 12!!  Here is an excerpt from Torna Vezzosa Fillide , on just vowels. 

      • JohnEric_Robinson
      • 9 mths ago
      • Reported - view

       Awesome job!

      I appreciate your candid talking to yourself.

      It looked like your hands on your jaw and on top and above your head were helping you keep your jaw loose and your resonance forward and high. 

      Your lips and tongue look relaxed throughout, and, particularly that last time, opening a bit on the highest note on [e] worked well to keep your registration smooth. 

      Lovely tone!

    • Coffee-drinking soprano, trainer of voices and tonebase voice content lead
    • Heidi_Vass
    • 9 mths ago
    • Reported - view

    Wonderful work here, Margaret! We are talking about pure vowels in this TWI, but don't be afraid to modify as you sing into your high voice (for a voice like yours, a good rule of thumb is to consider vowel modification ABOVE the staff). Specifically, I would have you consider opening the vowel to something similar, but open. I would love to see you exaggerate those lip vowels a bit more in this context. You were finding AMAZING space when you were concentrating on them solely. Make sure that work carries over fully and completely when you are in the context of your piece. Truly excellent work, these past two weeks. What a pleasure it's been watching you discover and grow with these concepts :)

Content aside

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